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1 紀要論文 / Departmental Bulletin Paper >
芸術学部(Faculty of Art and Design) >
九州産業大学芸術学部研究報告(Kyushu Sangyo University Research Reports of the Faculty of Arts(vol.1-vol.37)) >
第31巻 >
このアイテムの引用には次の識別子を使用してください:
http://hdl.handle.net/11178/7309
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タイトル: | イギリスカントリー・ファニチャー「ウインザーチェアー」の形態分析研究 そのIV ( `ゴールドスミス'チェアー ) |
その他のタイトル: | An Analytic Study of The English WINDSOR CHAIR Styles IV ( A Comb-back Windsor 'Goldsmith' Chair ) |
著者: | 山永, 耕平 Yamanaga, Kohei ヤマナガ, コウヘイ 九州産業大学芸術学部デザイン学科 |
発行日: | 2000年 |
出版者: | 九州産業大学芸術学会 |
抄録: | About 4 years ago, I made a bow-back Windsor chair and wrote its making process in this report II, and I was able to learn, the English Windsor is a chair in which its styles were embodying the sturdy simplicity. After that I researched the historic styles of the English Windsor chairs, and I found one of chairs which has uique style. So called 'Goldsmith' chair. Thomas Crispin is describing its origin as follows to his book. The 'Goldsmith' Windsor comb-back armchair is so named because it was once owned by the famous Irish writer and poet, Oliver Goldsmith (1728-74). This beautifullly designed Windsor armchair, with its circular, dished and saddled seat, and it well-turned legs and stretchers, is painted a very dark green, almost black. 3 years ago, when I visited Victoria & Albart Museam. I was able to look closely at the chair and observed its constructional details. After that year, I wrote its drawings and made a moddel (scales 1/5), which I used it for teaching materials in my class. In this summer I could create the Goldsmith chair with my student. |
URI: | http://hdl.handle.net/11178/7309 |
出現コレクション: | 第31巻
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